Description: It is hard to escape the legacy of the Punch Magazine. From 1841 to 2002, the magazine cast a satirical eye on life in Britain. It charted the interests, concerns and frustrations of the country and today it stands as an invaluable resource not just as cartoon art and satire, but as primary source material for social historians.OUR OLD UNADAPTABLESBritish Commercial Traveler: “It’s a great concession on my part to come here at all: and you’ve got to take what I have to sell at my own price –not what you want at yours.Chorus of Potential Customers: “Nothing doing.” [It is hoped that after the Prince of Wales’s recent speech at Manchester the methods of salesmanship indicated about will become obsolete.]--Nationalities represented: John Bull (UK), China, Turkey, Philippines (?), South America (?)Illustration by Bernard Partridge. Size: 8 x 10 1/2 including borders, image shown slightly cropped. Source: British PUNCH humor/satire magazine, from May 20, 1931, original pulled from the magazine, not a modern reproduction. Condition: excellent -- still bright paper, clean, no handling or storage wear, page lays flat for easier framing; backside is blank. Over 3,500 Punch cartoons listed for sale (under store category PUNCH CARTOONS), combine orders and save shipping charges. Questions are always welcome. WHAT IS PUNCH?Punch, a magazine of humor and satire, ran from 1841-2002. A very British institution renowned internationally for its wit and irreverence, it helped to coin the term "cartoon" in its modern sense as a humorous illustration. Punch was the world's most celebrated magazine of wit and satire. From its early years as a campaigner for social justice to its transformation into national icon, Punch played a central role in the formation of British identity -- and how the rest of the world saw the British nation. In its formative years Punch combined humors, illustration and political debate with a fresh and radical audacity. During its heyday in the late 1800s, it reflected the conservative views of the growing middle-classes and copies of it could be found in the libraries of diplomats, cabinet ministers and even royalty. In the Western world, Punch played a significant role in the development of satire. In the world of illustration, it practically revolutionized it. Over the decades as it charted the interests, concerns and frustrations of the country and today it stands as an invaluable source of cartoon art, satire, but as primary source material for historians.?WHO IS THE ARTIST? Sir John Bernard Partridge (11 October 1861 – 9 August 1945) was an English illustrator. Born in London, for some years he was well known as an actor under the name of Bernard Gould. But he was most renowned for his association with Punch magazine. He joined the Punch staff in 1891 and became chief cartoonist in 1910, a position he held until his death in 1945. His cartoons usually featured one or two stately figures centre stage; as Price, Punch’s biographer, pointed out Partridge’s cartoons were ‘theatrical’ rather than ‘dramatic’. He was a master cartoon propagandist, amply shown in his many war-time cartoons published in Punch.
Price: 14.95 USD
Location: Milton, Vermont
End Time: 2024-12-23T21:30:01.000Z
Shipping Cost: 6.95 USD
Product Images
Item Specifics
Restocking Fee: No
Return shipping will be paid by: Seller
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money back or replacement (buyer's choice)
Artist: Bernard Partridge
Country/Region of Manufacture: United Kingdom
Style: Cartoon/Caricature
Item Height: 11 inches
Item Width: 8 inches
Type: Print
Subject: British imperialism
Year of Production: 1931